Taken between 2008 and 2013 in New York, Lisbon, Paris and Berlin as well as in the French and Portuguese countryside, these photographs by Paulo Nozolino bear his usual dark symbolic syntax. Still using 35mm film and occasionally a flash, this tight sequence of vertical pictures shows us, once again, his everlasting concern for the state of the world and his quest for the pure, true, non-manipulated analogic image. (Note de l’éditeur) ; photos en n.b.
Stan Douglas
Taken between 2008 and 2013 in New York, Lisbon, Paris and Berlin as well as in the French and Portuguese countryside, these photographs by Paulo Nozolino bear his usual dark symbolic syntax. Still using 35mm film and occasionally a flash, this tight sequence of vertical pictures shows us, once again, his everlasting concern for the […]Lire la suite
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| Poids | 1000 g |
|---|---|
| EAN | 9780714837963 |
| Photographe | |
| Editeur | |
| Date d'édition | |
| ISBN | 9780714837963 |
| Langue(s) | anglais |
| Nombre de pages | 160 |
| Reliure | Broché |
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Stan Douglas ; Hasselblad Award 2016
30,00€Le prix Hasselblad 2016, qui présente trois séries intitulées Night (2014-2015), Corrupt Files (2013) et DCTs (2016), accompagnées de deux textes, offre des méditations complexes sur la fonction, la construction et la consommation des formes contemporaines de la photographie.
The Hasselblad Award 2016, which presents three series entitled Night (2014–15), Corrupt Files (2013) and DCTs (2016), accompanied by two texts, offer intricate meditations on the function, construction and consumption of contemporary forms of photography.
