1ère édition tirée à 500 exemplaires.
Vorágine, d’Orlando De la Rosa, découle du besoin dominant de l’auteur de nommer des faits cachés dans sa propre histoire. Ainsi, à travers un va-et-vient entre réalité et fiction, il raconte l’histoire d’une famille après le meurtre de son père.
À travers le processus de construction et d’édition des images qui composent ce livre, le photographe explore une série d’événements qui interrogent les limites de la morale et où la nature humaine reflète son caractère indomptable: une terre violente où la chaleur étouffe, des personnages qui fuient le passé. , des peaux qui se frottent les unes contre les autres jusqu’à ce qu’elles soient blessées, et un désir incontrôlable qui ignore le sang.
Vorágine, by Orlando De la Rosa, arises from the author’s prevailing need to name hidden facts in his own story. Thus, through a back and forth between reality and fiction, he tells the story of a family after the murder of his father.
Through the process of constructing and editing the images that make up this book, the photographer explores a series of events that question the limits of morality and where human nature reflects its indomitable character: a violent land where heat suffocates, characters that flee from the past, skins that brush against each other until they are hurt, and an uncontrollable desire that ignores blood.
ORLANDO DE LA ROSA:
Cosamaloapan, Veracruz, 1992. Graduated in Photography from the Universidad Veracruzana. He studied the Seminario de Fotografía Contemporánea of Centro de la Imagen in the group of the Centro de las Artes de San Agustín (2015). He has complemented his training in photography in various workshops in Xalapa, Oaxaca and Mexico City. His work is part of private collections in Mexico and abroad. Also, his work has been exhibited in group shows in Mexico, Brazil and Uruguay. In 2016 he was selected for the II Bienal de Fotografía de Oaxaca, in which he received an honorable mention, and was a scholarship recipient of the PECDA Veracruz.
