Exemplaire Signé.
1ère édition Limitée à 300 exemplaires.
Le photographe de rue conceptuel Naohiro Harada a décrit le scintillement de l’humanité entre la lumière et l’ombre dans sa publication précédente « Drifting » avec le même éditeur. Cette fois avec « The Third Room », Naohiro Harada s’est concentré sur le subconscient de l’humanité pour en montrer son ambiguïté et sa brièveté avec ses instantanés de rue et ses photogrammes saturés de couleurs. Ces clichés sont la tentative de Naohirto Harada de décrire les relations métaphysiques entre le mouvement, la conscience et l’inconscience qui sont la quintessence de notre vie quotidienne ; photos en coulerus.
Conceptual street photographer Naohiro Harada portrayed the flickering of humanity in between light and shadow in his previous publication “Drifting” with Zen Foto. This time with “The Third Room”, Harada focused on the subconsciousness of humanity and presented its ambiguity and transience with his saturated color streetsnaps and photograms. They are Harada’s attempt to depict the metaphysical relationships among movement, consciousness and unconsciousness that are quintessential to our daily lives.
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THE THIRD ROOM
This body of work traces movements and thoughts that switch in between 3 different “rooms” inside one’s imagination.
The three rooms are strange and empty, composed of the following three perceptions.
The first room: the eye
perception of colour through light
the second room: illusion and impression
perception of consciousness – after colliding with time
the third room: the unknowable
perception of nothingness – imagining things cannot be seen that might become visible one day
In this imaginary room that seems to be made of glass,
things are blue if you think they are blue and red if you think they are red.
This work is like a story depicted by light and senses, gathered from the reality world.
– Naohiro Harada
