L’inspiration pour Berry de se lancer dans ce projet ambitieux a été de signaler la fonte des glaciers et de la glace au Groenland, en collaboration avec des climatologues danois, pour The Climate Group. Cela a coïncidé avec une préoccupation et une prise de conscience accrues de l’accélération du changement climatique, et il s’est retrouvé à documenter de plus en plus les extrêmes des feux de forêt, des sécheresses, des inondations, de la pollution, de la déforestation et des personnes touchées par ces événements.
The inspiration for Berry to embark on this ambitious project was reporting Greenland’s shrinking glaciers and ice melt, working alongside Danish climatologists, for The Climate Group. This coincided with increased concern and awareness of climate change acceleration, and he found himself increasingly documenting the extremes of wildfires, droughts, floods, pollution, deforestation, and the people impacted by these events.
The photographs in the book illustrate the dichotomy of our relationship with water—the role it plays in ancient religious rituals and in building communities, to its exploitation and the devastating result of too little or too much water. They depict Hindus bathing in the Ganges, shellfish-gatherers in coastal Spain; cities leveled to be flooded for the Three Gorges Dam in China; polluted sea surrounding oil infrastructure in Baku, Azerbaijan; fishermen in Greenland navigating melting ice in the ocean; landscapes transformed to dust bowls by drought in South Africa and to villages made into islands by annual flooding in Bangladesh. It was not Berry’s intention to make a political book, nor an authoritative catalog of man’s interactions with water, but instead to share the most memorable stories from his assignments that illustrate how water shapes our lives and what the future may hold ; with an essay by Kathie Webber.
